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TIFF @ Fandor Free Film #3: Dogtooth

Watch this highlight from the Toronto International Film Festival with us for free.

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Fandor @ TIFF Update #6: Immoral Tales with Emily Blunt and Juliette Binoche

An indie "Dark Horse" is the standout among today's crop of reviews.

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Meshes: Teen Monsters in Training: “Let the Right One In” and “Dogtooth”

When childhood development is protracted, manipulated, or deformed, the innocent can turn into monsters.

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Rushes: Ferrara | IndieFest | Berlinale | Euro

Iconoclastic auteur Abel Ferrara is in San Francisco with 4:44 LAST DAY ON EARTH actress Shanyn Leigh tonight for opening night of the San Francisco Independent Film Festival. Earlier in the week...

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San Francisco International: The State We Are In

Fandor's curator and a team of Keyframe writers offer notes on the San Francisco International's in-progress 55th.

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The Art of Filmmaking: Yorgos Lanthimos

An Oscar-nominated Greek filmmaker now living in London speaks on the boldly inventive process behind his carefully controlled originals DOGTOOTH and (opening this week in the United States) ALPS.

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DAILY | Venice 2012 Jury + the Weekend’s Most Promising Films

Those films would be Yorgos Lanthimos's ALPS, IT'S THE EARTH NOT THE MOON, DECONSTRUCTING DAD, THE IMPOSTER, NOSTALGIA FOR THE LIGHT, and more.

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The Autobiofictions of Ira Sachs

'It was almost like having a déjà vu that you could stop at any time, if you only wanted to,' says Ira Sachs, whose art imitates, and elevates, life.

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DAILY | Guzmán on Marker and More

Plus, new issues of film journals, more critical takes on Sight & Sound's 2012 film polls, reassessing David Fincher's THE GAME, and more.

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Video: Anatomy of the Sex Scene

A close read of sex scenes in ALPS and DOGTOOTH reveals the altogether unique and innovative filmmaking approach of Yorgos Lanthimos.

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DAILY | Rotterdam 2013 | CineMart Selects 32 Projects

New work by Lucrecia Martel, Radu Jude, Yorgos Lanthimos, Matt Porterfield, and more.

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Home for the Holidays: Dysfunctional Families

Yours, mine, ours: Nuclear families explode in a variety of ways.

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Todd Solondz on the Here and Now of DARK HORSE

The singular indie voice explains he’s a creator, not a destroyer.

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DAILY | New Cinema Scope, Jost on Carney, and More

Plus, Ignatiy Vishnevetsky makes a movie, the return of William Friedkin's SORCERER, post-2001 sci-fi, and more.

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Daily | Toronto 2013 Lineup, Round 3

Four more programs: TIFF Docs, Vanguard, City to City, and restored gems in Cinematheque.

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Daily | Venice + Toronto 2013 | Alexandros Avranas’s MISS VIOLENCE

Winner of both the best director and best actor awards in Venice.

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A Reykjavík Report

Import/export: RIFF is not a showcase for Icelandic film so much as for Iceland itself.

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Daily | Rediscoveries, Welles, Critical Press

And happy 71st, Christopher Walken!

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Table Manners

A video of dining experiences to forget with notes on filmmaking to remember.

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Daily | Godard, Pasolini, Resnais

Today's roundup of news and views is somewhat massive.

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Oscars 2015: Video Evidence

Who deserves to win? A video essay series applies sense, cinemetrics and subjectivity to the race.

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The ‘Alt’ Oscars: And Now, for the Nominees

Giving key non-winning nominees their due, from 1980 to the present day.

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Daily | Cannes 2015 | Yorgos Lanthimos’s THE LOBSTER

"It's an absurd premise, but one that Lanthimos and his game cast commit to with gusto." Updated through 5/24.

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Multiple Must-sees from MIFF 2015

Two selections of bests from Australia's 'festival of festivals.'

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Daily | NYFF 2015 Lineup, Round 1

The world premiere of Spielberg's BRIDGE OF SPIES is among the first round of 26 titles.

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Daily | Locarno 2015 | Athina Rachel Tsangari’s CHEVALIER

"An allegory for the economic system that has laid waste to Tsangari’s country."

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You Can Change Your Nickname Only Twice

Identity in the films of Yorgos Lanthimos.

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The Post-Punk Cinema Manifesto

Take shelter from an ugly, unfeeling world.

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Daily | NYFF 2015 | Yorgos Lanthimos’s THE LOBSTER

"Certainly no less ambitious than its high-concept predecessors." Updated through 9/28.

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Release Me: A BLAST

Distributors, take note: A BLAST feels like A WOMAN UNDER THE INFLUENCE as reinterpreted by early Nicolas Roeg.

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